Art
View Paulette
Thenhaus
GALEX 42 É The Digital Age
There's no question that this year's selections for the GALEX
42 at the Galesburg Civic Art Center are technically refined works with a
decidedly graphic look. To me the work is rather polished and restrained.
I know this year's juror, Sandra Camomile, is from the Digital
Arts and Multimedia Design and Computer Science Department of the University of
Utah. Though there is only one installation, ÓStrikeÓ by Curtis Bracher, which
has TV screen and DVD (broken in shipment), there are quite a few digital
entries. Roy Drasites' Epson Print, "Gallery Floor," garnered the
Grand Award. His large print of visually textured and patterned saw horses and
ladders is, perhaps, the most colorful in the show. He has entered the
competition since its inception.
Even the paintings are representational and more linear than
painterly. The large canvas "Manic" with two figures around a sofa is
an example. It's realism with a photographic feel down to the folds of the
clothing.
One abstraction, "Chameleon" by Tom Mc Court, is
engaging primarily because of its media, encaustic. From the layered mute color
of wax emerges a biomorphic undulating shape of green. Its edges are clearly
defined too.
Four area artists are represented, but since there is no
information in the gallery on where the other artists are from, I can't comment
on the mix. Of five contenders for the sculpture prize, Stacy Lotz of Monmouth
got the award for ÒHarvest-Pesticide Ready.Ó The piece is of a number of raku
fired ceramic ears of shucked corn. Rusty tire rubber forms the husk. It is an
odd combination of media but a strong statement.
The juror states that a balance between content and originality
is an important factor in her selection process. Brian G. Lewandowski's black
and white photograph "Sorry the Ocean is Closed," with a gleaming
diamond network of steel door barring entrance to a pier, is a good example of
message with an original eye and image. He received an Award of Excellence.
As the juror wished, there is a variety of media and ideas in
GALEX 42. The show reflects the digital age and, to some degree, an
environmental crisis in the making. But, not to worry, it is all stated rather
politely ... and within the lines.