Art View by Paulette Thenhaus
Uncovered, discovered & manufactured
ItŐs been two years since the works of Lori Reed and Rob Reed,
wife and husband, were reviewed in Art View (Zephyr 3/9/06). Lori works
two-dimensionally, while Rob explores in-the-round. Their current exhibit at
the Buchanan Center for the Arts in Monmouth allows for more physical space for
the new and continuing directions of each.
Most notable in new work is Rob Reed's constructivist metal
assemblages. The inventive "manufactures" in wire and a variety of
metal tubing are encased in wood. Some have movable parts (ŇT.V. A-AMÓ) and all
are designed with a sense of ''wiry'' humor not found in his stone carving. In
"Metaplastic Unblasticaator" four different polished metal tubes plus
glass and plastic wind around in a wooden box. Though it looks functional, it
isn't. ItŐs the bare beauty of the industrial materials that is showcased.
Rob Reed is one of this area's few (if not only) stone
sculptors. The six stone sculptures on display are impressive and formal. Hewn
from solid blocks of stone, they look Cubistic at first glance, but each
sculpture has it's own style and personality, including Art Deco. "He
Reminds Me of Another," an alabaster sculpture, stands about 16" tall
and is poised on a rough black marble base. A mass of individually carved and
polished cubes and rectangles jut out in a centrifugal movement. The weight of
the mass is balanced on a single cube. The effect is one of airborne lightness
in a weighty stable sculpture.
Though the works look carefully preconceived, Rob Reed
attributes his method of working to a sort of Surrealist's Automatic Writing
where the intuitive process overrides the deliberate.
Lori Reed is a very successful graphic designer. Her profession
is obvious in her exhibit of fifty-six collages, most 8" x 10". This
isn't the gritty, curious collage of Kurt Schwitters or even Romare Bearden. It
is twenty-first century collage in which the computer plays a major role in
construction and finished look. No longer does the actual object or the actual
handwritten scrap need to be sacrificed to the artwork ... it can be copied.
Yet it is the collages where the real object is added that the genuine is
respected and a sense of rarity and preciousness is created. Out of the many
collages, "Words are Gone" with its simple abstract design,
restrained colors and carefully selected words conveys a deep human feeling. It
eloquently speaks of a mother's passing with a sense of loss.
There are crowd pleasers: collages of 19th century paper dolls
and a series of old Viewmaster images from the 1950's that evoke feelings of
sentimentality and nostalgia. They lack the dense layering, transparency and
textural explorations of twentieth century collage. They look
computer-generated with no mark of a human hand. Though Reed claims that she is
now creating art for herself, it doesn't appear that her commercial approach to
images is very far behind.
The exhibit at the Buchanan Center for the Arts runs through
June 14, 2008. For info: 309/734-3033
05/22/08