Art view
By Paulette Thenhaus
Landscapes over time
Natural time isnÕt
controlled by a clock, yet an observant eye can perceive its passing. It takes
an artist such as Fred Jones to record it aesthetically for our contemplation.
He does so by following his natural subjects: landscapes, trees and flowers,
through temporal changes. He uses both painting and digital photography to
record his impressions over time and often incorporates both in his final
image. He regularly uses innovative grid structures both in creating and
presenting his work.
In ÒDandelion Time,Ó Jones
ÒframesÓ time by both shooting digital images sequentially, literally a ÒframeÓ
at a time, and then framing each resulting image. Here, ten framed images
document the growth of the dandelion. They circle the periphery of the central
image, a painted sunset sky with floating dandelions, Òwhich are on a journey
of rebirth.Ó Rarely do photographed and painted images relate so well to each
other as they do within this grid system of frames, now a signature format of
Fred JonesÕ landscapes.
ÒDaytime,Ó 30Ó x 74,Ó is a simpler installation, read from
top to bottom, but just as effective in conveying timeÕs journey. Twelve long,
narrow, panoramic paintings show twelve consecutive hours, sunrise to sunset.
It is reminiscent of MonetÕs haystacks, but is a series of twelve paintings
displayed as one day and one work. Sensitive to subtle changes of color,
objects and vegetation are accented in one painting, then disappear in another
as day journeys into night. No digital camera is used here. It takes a
perceptive eye and master painter such as Fred Jones to capture all the nuance
of changing light.
In one of the largest
exhibits, 64Ó x 64,Ó ÒFlower Time,Ó full-framed photographs of flowers, at the
height of their beauty, open in sensuous color. Frames in more than one color
emphasize and attract our eyes to different sections which appears to be a
color-coded garden. The artist states that one of his ideas here relates to the
moment of pollination. Amazingly, while photographing the last plant, the last
second before the shutter closed, a butterfly, the disseminator of pollen,
landed within the frame. Nature has provided Jones with many ÒAh–haÓ
moments that couldnÕt be planned.
Another moment of surprise
was when a hundred-year-old-plus tree Jones had photographed in every season
over a period of a year, was struck down by lightening. Without staging it, ÒTree
TimeÓ became a photo study of the last year in the life of a noble tree. The
very title makes one imagine how a tree experiences time differently than by
counting calendar days.
Among my favorites is
ÒHealing Time.Ó Jones calls it Òa tribute to the way the healing process goes
on in small and large environments on both our planet and the solar system.
Digital images of old and new tree scars surround a painting that glows like a
hot star.
ÒLandscapes Over TimeÓ is an excellent exhibit to jog the
viewer to think more deeply about the landscape he/she passes on the way to a
fully scheduled day. After all, none of the landscapes on view is further than
a few miles of the artistÕs home. Many are photographed from his own backyard
in western Illinois. If we want nature to survive in the 21st century we have
to pay attention to it and all that it evokes...give it the time of day, so to
speak, in our everyday lives. Fred Jones certainly has.
ÒLandscapes Over TimeÓ remains on view at the Galesburg Civic
Art Center, 114 E. Main Street, Galesburg, till July 21st. For hours call:
(309) 342-7415.
About artist Fred Jones
Fred Jones earned a
National Diploma in Design in 1961 from Cardiff College of Art in Wales, Great Britain
(his birthplace), plus an Art Teachers Diploma from the University of Wales in
1962. In 1965, he earned a Master of Education degree from the University of
Pittsburgh. In 1970-1971 he attended the University of Wisconsin in Madison,
completing a Master of Fine Art degree specializing in the print technique of
silkscreen. In 1979, while on sabbatical leave, he attended Atelier 17 in Paris
(where he met and became friends with the late Clare Smith of Galesburg) and
the Print Workshop in London. In 1987, he returned to the University of
Wisconsin as an Honorary Fellow to study Computer Mediated Art.
He joined the Western
Illinois University art faculty in 1968 as an instructor in Art Education,
Design, and Drawing after teaching for two years at Chester College of Art in
England. In 1969, he was appointed Gallery Director and continued in this
position for two years. Jones developed the Silkscreen and Computer Generated
Art programs. He has received many awards of distinction, including W.I.U.
Faculty Lecturer of the year in 1995 and was awarded the rank of Distinguished
Professor in 1999. He retired in 2000.
Since coming to Illinois in
1968, Jones has won numerous awards in national and regional exhibitions and
has been the recipient of six commissions from Illinois Percentage for Art
Program for his landscape artworks for public buildings. He has works in
various public and private collections in the U.S. and the U.K.
7/5/07