Art view Paulette Thenhaus
Now at the Buchanan
The art work of twelve Monmouth College faculty, past and
present, are on view till November 25th at the Buchanan Center for the Arts in
Monmouth, Illinois. A booklet introduces each faculty member with artist's
statements.
While most of the artists are pursuing their familiar art
territory, a handful are braving new directions and media. Carla Markwart
(1998-2004) is one of those artists, as is Harlow Blum, Professor of Art
Emeritus (forty years of teaching).
Markwart has taken a dramatic turn from realism and natural
colors in painting to abstraction and vibrating color in her new cityscapes.
"#1 Downtown North" is about 6' x 4', paint on paper. It is an
architectural study of downtown Galesburg as well as a "stripe"
painting reminiscent of the 1960's-1970's. The stripes are painted freehand and
one at a time. Markwart's professional background includes an interest in
architectural design and model making, so the imagesŐ geometric images come to
her naturally. She uses her construction principles to make the flattened
cityscape pop. Stripes can be read as showing depth or as an optical game of
advancing and receding color. She has a unique way of mounting the large paper
so it looks to be a work under construction.
In his artist's statement, Blum describes the bulbous shapes
and abstract compositions in his new work as "melting fields of polar
ice" ... effects of polar warming. His surprising newfound medium is
recycled, torn industrial foam mounted on panels as large as 8' x 4'. Even with
an ominous subject matter, the lustrous, tactile reliefs (some several inches
deep) have evocative tittles. "Iridescent Iceberg" is one of them.
All four of the pieces can lay claim to iridescent color in blue white and
umber. Only "Golden Fall" differs from the rest with it's diagonal
stripes applied with a chalking gun. It glistens with gold beads suggestive of
moisture.
Most of the artist/teachers are showing work that they are
known for in the area. Instead of trying to catalogue everyone I will give a
few artistsŐ works to find on your own. How about looking inside of one of Tom
Foley's peace signs for images? What unusual color choice does Tyler Henning
make to brighten up dogs playing pool? How does Marjorie Blackwell create
transparency and what makes the work microcosmic? What symbols make Lisa Mohr's
canvases both contemporary and primitive?
With the above suggestions in mind, spend some time with all of
the work. Ask your own questions of it. These are the teachers of the next
generation of area artists.
11/6/08